Just a few weeks ago I was contacted by NYC singer-songwriter Jodi Good’s music attorney Steven Beer on a Friday night to discuss an opportunity for a “Holiday Song” to be placed with a major publication. Here’s a real-world example with italicized words in red representing why SONAR X3 features are crucial to me when facing tough audio jobs. For the work I do now, the one thing that gives me an edge using SONAR X3 Producer over other DAWs is the quickness of the workflow which contributes to music creation diversity. Stemming from this theory, I have been fortunate enough to work on some pretty diverse projects ranging from title tracks for Pokémon DVD’s to Major Label artists and just about everything in between in one form or another. I would also be willing to bet that your name will be referred to other folks outside of that job’s “circle.” You just never know to where things are going to lead. If you’re handed a job for writing, mixing, producing or even recording, and you knock it out of the park the first time with low-no hassles to the client, you will certainly come to mind on the next round. I think the key these days is getting into as many industry circles as possible, and then over-delivering.

“Audio Production Jobs” come in all shapes and sizes these days -) Yes, the music industry in general has shrunken to an all-time low in terms of major label budget projects, but the flip side is that there are many nooks and crannies out there to stay creative while making money.

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